![]() I would open up the middle of the bench, position the strobe vertically underneath while using a soft box to join the space between the flash and the base of the bench. My train of thoughts for this moment after looking up items on Amazon and EBay is to use a kind of construction foldable bench like a Workmate WS425 from Black and Decker. This setup may one day be used in some sort of commercial way if I decide to scan for others, so moving between negatives easily will be important… For the moment I’m considering tethering for the comfort at least. OMG! Thank you… Of course your comments are helping. You can always improve your setup later.ĭoes the above answer your questions? Probably not. ![]() Start with what you have and see how far you get with it. Your first setup does not have to be perfect. See what you like best and what parts of the setup you have, can buy and what you can’t. ![]() Tethering or no tethering? Tether if you can, it adds comfort.Īll of the above are building blocks for your setup. A closed path allows for scanning during the day too. Nothing moves around unless you want it to. Great for serial scanning.Ī closed path between negative and camera looks like a very good idea because it eliminates stray light and creates a firm geometric coupling between negative and camera. No snaking around copy stand columns or tripod legs. Strips of four 645 negatives need repositioning, which is annoying.Ī horizontal setup seems best for comfortable scanning because you can sit down and work with your head upright. The digitaliza holder works well, but it does so only with shorter strips. Short strips of film work well in a film strip holder that fits the format of the negatives. Have a look at my vertical setup which makes serial scanning easy. If all I had were uncut 120 and smaller films, I’d go for a setup that allows to change negatives easily. Wet scanning could be an option for the very best few images or if dry scanning were not good enough. If I had to scan large negatives like 4x5, I’d opt for a vertical setup. Let’s have a look at a few things to consider: The number and size of negatives and how they are cut makes a difference. It is the ideal film and slide scanner for a wide range of uses including: slide and film digital conversion, amateur and professional photography, photo clubs, and analog photography classes.As far as see from my test setups, there is no simple answer to your questions. With the Plustek OpticFilm 8100, it is easier than ever to get your film and slide scanning project started. The OpticFilm 8100 image quality is comparable to the image quality provided by commercial labs and scanning services! These are great for sharing on-line, but they can also be enlarged and printed up to 36” x 24”. These systems enable the scanner to capture the highest detail and dynamic range possible from your film with accurate color reproduction.Ĭompared to a flatbed scanner or small all-in-one “converters”, the OpticFilm 8100 provides more accurate, detailed, color rich images. This 7200 dpi resolution scanner is designed with state of the art illumination and optical systems. Plustek OpticFilm 8100 is a dedicated 35mm film and slide scanner that scans color negative film, black and white negative film, slides, reversal film and Kodakchrome film. Plustek has manufactured dedicated film scanners for over 20 year and we understand film photography image quality and scanning requirements. It doesn’t matter if you have old slides to convert into digital format, or you are still shooting film today, the OpticFilm 8100 scanner is a dedicated film scanner that is up to both tasks.
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